The first Holocaust movie ever -- shot in Auschwitz in 1947! -- Wanda Jakubowska's The Last Stage, IFC.com, 2/16/10
Noh Young-seok’s Korean micro-indie Daytime Drinking, plus a cataract of femme noir, from 1951's Two of a Kind to Hugo Haas's One Girl's Confession (1953), IFC.com, 2/9/10
Vintage Czech cinema in L.A., including Marketa Lazarova!, LA Weekly, 2/8/10
Nuri Bilge Ceylan's Three Monkeys, and philosophe-doc The Ister, at IFC.com, 12/1/09
Reviewing The Road and Me and Orson Welles, atIFC.com, 11/25/09
Luis Bunuel's never-noticed Death in the Garden, and the newly Criterionized Downhill Racer -- at IFC.com, 11/24/09
Park Chan-wook's Thirst, and Kent MacKenzie's The Exiles, IFC.com, 11/17/09
Flabbergast-ment at Herzog's The Bad Lieutenant: Port of Call New Orleans, and at Alexander Sokurov's The Sun, IFC.com, 11/1/09
Reviewing Wes Anderson's Fantastic Mr. Fox, and Scott McGehee and David Siegel's Uncertainty, at IFC.com, 11/11/09
Lance Hammer's best-film-of-2008 Ballast, and amid a new noir box the treasure of Don Siegel's 1958 humdinger The Lineup, IFC.com, 11/10/09
Of the new Samuel Fuller set featuring Shockproof and It Happened in Hollywood and more, plus a thought about the Atkinson-essayed Criterion release of Wings of Desire, IFC.com, 11/3/09
Blog tour stop #1: How I learned to write being a total academic scofflaw, at Lesa's Book Critiques, 11/5/09
Late-breaking reviewing: The Men Who Stare at Goats, and the apocalyptic doc Collapse, at IFC.com, 11/3/09
My supplement essay to Wim Wenders's legendary Wings of Desire, at The Criterion Collection, 11/3/09 and forever.
Euro-horror: the French chiller anthology Fear(s) in the Dark, and Italian politics in Il Divo, IFC.com, 10/27/09
On Hans-Jurgen Syberberg's Ludwig and Karl May, plus the 1936 proto-zombie Karloff flick The Walking Dead, IFC.com, 10/20/09
AtTrue/Slant, I sit dumbfounded as Glenn Beck cries over old TV commercials... 10/17/09
On Dusan Makavejev's first three Yugo-nosethumbings, plus Not Your Typical Bigfoot Movie, IFC.com, 10/13/09
My rueful tell-all essay-memoir about the making of my dead TV pilot Babylon Fields, at Lost Magazine, 9/09
Anvil! The Story of Anvil, and the Danish anti-porn anime Princess, IFC.com, 10/6/09
My story at Significant Objects, where I attach fictional significance to an iron pipe stand, and sell it (and its new context) on eBay! 10/6/09
AtTrue/Slant, my summary judgment of the Polanski affair -- take that! 10/5/09...
On the notorious and agonizing NY indie Frownland, plus the 1950 Mexican pulp howl Aventurera, IFC.com, 9/30/09
More atTrue/Slant, on fear of neocon churchers and the distribution problems of the Darwin biopic Creation, 9/24/09
Sally Potter's cell-phone pioneer indie Rage, and the hyperreal Kazakh comedy Tulpan, at IFC.com, 9/21/09
My debut, introductory column -- dipping my toe into the toxic ocean of cultural-political blogo-chaos -- at True/Slant, 9/23/09!
Peter Greenaway's crazy-historical comeback diptych Nightwatching and Rembrandt's J'Accuse, plus Rene Clement's long-ignored Zola adaptation Gervaise, IFC.com, 9/15/09
Carlos Reygadas's Silent Light, and Kobayashi's marathon ordeal-drama The Human Condition, IFC.com, 9/8/09
Silent Soviet agit-pulp: Lev Kuleshov's The Death Ray, The L Magazine, 9/8/09
Looking at Jonas Mekas's massive, rare avant-garde diary portrait of the '60s, Walden, plus Trouble the Water, IFC.com, 8/31/09
Chantal Akerman's epochal iron-maiden epic Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, and Andrzej Wajda's Katyn, IFC.com, 8/25/09
On John Cassavetes's Husbands, plus the Azerbaijanian farce-fantasy Absurdistan, IFC.com, 8/18/09
On the spellbinding film criticism of Graham Greene, Moving Image Source, 8/21/09
Briefly, Elem Klimov's Rasputin-biopic grand mal, Agony, The L Magazine, 8/21/09
On the Brit white-knuckler London to Brighton, and Azazel Jacobs's The GoodTimesKid, IFC.com, 8/4/09
Demy's The Umbrellas of Cherbourg, The L Magazine, 8/7/09
Powell & Pressburger's The Small Back Room, The L Magazine, 8/7/09
9/11 conspiracy docs, plus the samurai pulp classic Sleepy Eyes of Death, IFC.com, 8/4/09
William Wellman's pre-Code films (especially Other Men's Women and Wild Boys of the Road), plus The Believer's album of Godardabilia, JLG in USA, atIFC.com, 3/31/09